Visual Artist | Author

Wondering through painting, drawing, character design, writing, photography, video art, sculpture, and installation, I am deeply captivated by the ever ‐ changing nuances of breath, the currents of existence, and the presence of soul. There is life within the witnessed. 

 

My eclectic interest in artistic mediums allows me to delve into depths that reach beyond the surfaced. With careful attention, to let the initial carry the invitation, as it will – if may – in honour of individual subjecting. Where thoughts are observed as much in their isolated stating, as they are in their reflection of complementing.

 

When noticed, revealing becomes relevant – shaped to bear with. 

 

Relation is but another exposition of performed sensibility, sustained for later addressing.

 

To be mentioned in comparison can cast yet another light, differing in its claim – shed of certain, for the self to find acquaintances with. 

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In my writing, my primary aim is to create philosophically enriched, psychologically conscious, and artistically plotted pieces.

 

My books are more than formal uses of wording or a mere contextual exhibit of phrases. My vocals are in reach of character, expressing each unique shape in projection of what is yet to be received. Such evocations realm the tone and manner for the self to read within. 

 

The telling of atmosphere is as important as the presence of each word and their place ‐ meant within the rhythm and spacing.

 

My main concerns relate to psychological understanding, philosophical pondering, and abstract artistic visions, contrasted with articulating aesthetics. I like to think that words are just as much dictating as the wetness of a brush, or the depth of paint – if may, would.

 

I have created books for younger minds, and others for more matured minds. 

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When it comes to illustration, my creations seek beyond the aim of attachment. My visions are particularly conscious, purposefully positioned, and inserted with care into context and meaning. Such elevations enhance possibilities, inviting the viewer's engagement and deepening interrelations through parallel encounters.

 

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As a character artist, I am devoted to capturing and expressing the uniqueness within personalities and their momentary, transient emotional states. In respect, becoming a sight of the individuals that present to appear. I am as impressed by their barrier of outline – sense of being – their awareness of skin, as I am captivated by their presence, in ‐ held of shape – unveiling nature – psyche.

I would dare to say that my artistic expression is yet another obscure – for light to care – focal upon peculiar – self'.

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In painting and drawing, I find my deepest interest in portraits. Whether if may – it being the anatomical – face of flesh; outered in – lay of personality; or in abstract – shape of subject.

 

The change of colours, the depth of shades – crucial fragments that maintains the experience in place, allowing emotions to appeal, manifesting in tenses. Every stroke, every line, culminates in its own intent, for there is witness within the elements. There is life within tear of sight.

 

Subtle at core, my expression is in search of presence – behind the stare – the moment the soul meets the eye – in faced hollow.

 

Still, there is serenity within the silent shadow of understanding.  

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In sculpture, I am drawn to the fragile tension between structure and seamlessness – the effortless refinement of impactful stating.

 

I often work with wire and porcelain clay – materials that allow both precision and surrender. 

 

Wire in its plain persistence – silent in line – stiffen to hold – relentless structure – dedicated in care of meaning.

 

Porcelain offers a different inhale – delicate closure – fragile transparency in – hold of weight –  profound density. 

 

Their contrast mirrors – the seen and sensed – the moulded and the still – purity of self, nature of endurance.

 

Each concave edged in consideration. 

 

The way a wire bends to bear weight – or chooses not to – becomes quiet in composition. A claim of load – for structure to strain.

In clay, I am most curious about the impressions that remain as suggestions, marks of experience, where the surface almost forgets, yet still presents in sustaining pretence. The shape of substance, the gravity of intent.

 

These sculptures do not aim for cohesion but for presence – a stillness in form where vulnerability shapes the outline of being.   

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In photo and video art, my focus revolves around the abstract correlations of the in ‐ betweens. Those fragile fragments that are the soul of details, the depth of nuances. Inter ‐ vails of form – shades of elements. Meaning in sensed – care of resonance. 

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As for my installations, they are mainly designed to shape the atmosphere – becoming a ‐ part of a space, providing context for a piece, or embodying the artwork itself. For such conceptual visions, I aim to express ideas as impactful as the carefully chosen, purposefully cured medium or mediums admit.   

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My academic pursuits are mainly favoured between art, philosophy, and psychology – investigating the mind, perception, and the essence of creative expression.